Dedicated to the lesser known women in the music industry from the 60s to the 90s.
Saturday, September 15, 2018
TRACEY SKEPPER
Thursday, July 5, 2018
AMANDA BROTCHIE
Amanda Brotchie spent her formative years recording and touring with Not Drowning Waving, and recorded with many other bands including Dave Graney and the Coral Snakes, and the Wreckery, as well as having regular solo gigs at Melbourne venues such as the Metropole and Punters Club, performing the songs of such composers as Kurt Weil, Hans Eisler, Cole Porter and Vernon Duke. And as a teenager, she tried busking in Sydney, but chivalrous old gents just kept picking her upturned hat off the ground and giving it back to her. After music Brotchie became an AFI award-winning director.
Monday, June 18, 2018
FRAN KELLY
Fran Kelly is the fourth of six children, named for her father Frank Kelly, a chiropodist and physiotherapist. Kelly grew up in Adelaide, attending St Dominic's Priory College and completing an arts degree at the University of Adelaide, majoring in literature and classics. While at university she became involved in the women's movement and feminist theatre as well as singing with bands. She was the lead vocalist with new wave band Toxic Shoc, an all female group which released their single "Intoxicated" in 1981. After completing her degree Kelly worked at Flinders University as an activities director, booking bands and organising entertainment for students. In 1980 she moved to Melbourne to fill a similar role at La Trobe University. Fran Kelly is an Australian radio presenter, current affairs journalist and political correspondent who has hosted the Australian Broadcasting Corporation's Radio National program 'Breakfast' since March 2005. In 2025, Kelly will host a new program on ABC's Radio National entitled Radio National Hour.
Tuesday, June 12, 2018
MARGOT O'NEILL
Sunday, May 27, 2018
DI LEVI
Di Levi is the lead vocalist and guitarist with Fast Cars a Sydney power pop band who started in the original days of the Sydney Mod Scene. Between 1980 and 1984, Fast Cars played nearly 100 shows in and around Sydney. Their first 7” single ''Saturday’s Girl / No Love Today'' was a massive radio hit with 2JJ and sold-out multiple pressings. The follow 12” EP 'Annual' was equally successful, as was the 1984 EP 'Love Child', an energy charged take on the Motown classic. Di and Fabian Byrne now collaborate musically via the internet, as Di is based in Bristol, UK and Fabian is based in Sydney. Since reforming as Fast Cars in 2015, the duo has produced two EPs and have reissued a live album recorded by the original band in the 1980s. The band’s first full length studio album 'LAX' was released 5th March 2018 through Method Records and Music.
Friday, February 9, 2018
EVELYN BURY
Sunday, January 21, 2018
FRANCES GIBSON
Wednesday, January 17, 2018
LUCY DESOTO
Lucy Desoto was raised in Sydney’s Western suburbs in the 1960s and ’70s and graduated with the Higher School Certificate in 1977 from Sydney’s Fort Street High School. After suspending studies for a Bachelor of Arts in 1979, she went on to become went on to become the editor of the Sydney University Union Recorder while writing songs and playing piano in inner city pubs in The Living Daylights, her first band. Inspired by the song, Lucy took a walk on the wild side, playing the blues and rock music in bands with various line-ups around the country throughout the 1980s and throughout her life so far. In the 80s she released two albums, 'Three Girls And A Sailor' (1985) and 'Help Me Rhonda My Boyfriends Back' (1986).
Lucy returned to Sydney University in 1997 and graduated with a first-class honours degree in Media Arts in 2000. During this time, she recorded her third album 'Take This Veil' in 1995. In 2002, she was awarded a Commonwealth stipend to undertake a Doctor of Creative Arts at the University of Technology, Sydney. Her doctoral thesis focused on the modes and influence of unofficial cultural practice in Australian history. In 2007 the production component of her doctoral work, a documentary film titled, Rock ’n’ Roll Outlaw, was invited to screen at The Melbourne International Film Festival to wide acclaim. The film was dedicated to her partner of 22 years, an Australian rock musician of renown, the late Pete Wells who died in 2006.
Lucy with her band, The Handsome Devils continued to play in inner city bars and pubs in Sydney until her decision to re-locate to Alice Springs in 2013, where she wrote the book Australia Rocks, her first commercially published work. Lucy Desoto played every week at Lassiters Crowne Casino in Alice Springs. These days she continues to tour around the country with her band The Handsome Devils.
Friday, September 29, 2017
JANE STEWART
Sunday, September 24, 2017
AMANDA FOX
Wednesday, September 20, 2017
KAREN STEAINS
Thursday, June 1, 2017
OLIVE BICE
Friday, May 5, 2017
LISA MOORE
Later at the Sydney Conservatorium of Music, Moore, found support for her fledging musical career. In 1979, at the age of 20. Moore moved to the United States for two years and pursued further studies in Paris thereafter. She settled permanently in New York City in 1985. She is a graduate of the University of Illinois, Eastman School of Music and SUNY Stonybrook. Lisa Moore now teaches at the Yale-Norfolk New Music Workshop Summer Festival and at Wesleyan University.
Monday, March 27, 2017
MONICA TRAPAGA
Monica Maria Trápaga was born in 1965 and grew up in Wahroonga, New South Wales as the youngest child of a Basque-Chinese father, Nestor Juan Trápaga, and a Catalan-American mother, Margot (born 1935, née Esteban). Her older siblings were all born in Manila, Philippines: Juan Ignacio (later known as Ignatius Jones), Luis Miguel and Rocio Maria Trápaga – the family had relocated to Sydney by March 1963. In November 1991 she described her "fairly crazy Latin family. I grew up surrounded by music – everything from jazz and Latin to opera and classical. My father had a interest in jazz, particularly Afro-Cuban jazz."
In 1985, Trápaga, on lead vocals, was a member of a swing jazz-cabaret band, Pardon Me Boys, with William O'Riordan (aka Joylene Hairmouth) and her older brother, Jones: both had been members of shock rockers Jimmy and the Boys. In February 1988 they issued a self-titled album, which Lisa Wallace of The Canberra Times felt that "the harmonies on this disc would rival any Andrews Sisters' recording... Hot, tasty and jazzy." Trápaga left Pardon Me Boys as "I wanted to present myself as more of a musician than a cabaret performer" and they were a group she "outgrew because it wasn't my band."
In July 1988 she founded Monica and the Moochers in Sydney; another The Canberra Times reviewer described them as "a band that emulates the music of the late 1940s and 1950s" ahead of a gig in Canberra, which was to be followed by a tour itinerary including Perth. By November 1989 the line-up was Trápaga on lead vocals, Andrew Dickenson on drums, Julian Gough on tenor saxophone, Bernie McGann on alto saxophone, Adrian Mears on trombone, Alister Spence on piano and Jonathon Zwartz on bass guitar.
Monica and the Moochers' first studio album, 'Too Darn Hot', was released by August 1990 on rooArt Jazz/PolyGram. Michael Foster of The Canberra Times declared her voice "always amazes me... through the years, with the volume and range of sound generated from such a small, fine frame" while she "has a very strong and very accomplished and versatile backing group." For the album, the Moochers were Dickenson, Gough, McGann, Mears, Spence, now including Mike Bukovsky on trumpet and Dave Ellis on bass guitar.
In November 1991 their second studio album, 'Cotton on the Breeze', included tracks co-written by Trápaga, with her then-husband, Gough. The Canberra Times' Brad Turner caught a performance which provided "some powerful and tightly-played jazz, swing and Latin standards, and of course a selection from 'Cotton on the Breeze', most of which Monica wrote." At the ARIA Music Awards of 1992 the group were nominated for Best Adult Contemporary Album. The group performed at Sydney's inaugural International Jazz Festival in January 1992. In 2016, Monica was named as the head juror on the Australian jury for the 2016 Eurovision Song Contest.
Monday, March 20, 2017
AMANDA STEWART
Amanda Stewart (born 1959) is a contemporary Australian poet and sound/performance artist. Amanda Stewart began writing and performing poetry in the 1970s and has since produced a wide array of sound, video and multimedia work. In the 1980s she worked for ABC radio as a producer. In 1989 she co-founded the performance ensemble Machine for Making Sense with Chris Mann, Rik Rue, Jim Denley and Stevie Wishart, and in 1995 started the trio Allos. She co-wrote and directed the 1990 film Eclipse of the Man-Made Sun about nuclear weapons in popular culture. Her opera The Sinking of the Rainbow Warrior, written with the composer Colin Bright, was performed as part of the Sydney Festival on Sydney Harbour in 1997. It has since been produced for radio by the ABC.
Tuesday, March 14, 2017
THE RUM-BABA'S
The band appeared on Triple J’s New Noise program on 27 April 1989. In search of success, The Rum Babas changed their name briefly to Jezebelle, before reverting back to their original moniker. They appeared on the Timberyard Records compilation album 'Rockin Bethlehem – The Second Coming' in 1990, recording the song ''Hearts On The Table''. In 1991 they released a 10″ vinyl EP titled ‘3 Good Reasons’ which was produced by Kevin ‘Caveman’ Shirley (who would later find international fame with Slayer, Iron Maiden, Aerosmith etc) and was nominated for an ARIA award for best independent release. Released on Sydney’s Timberyad Records it, if nothing else – preserved their distinct sound for all time, but their live sound wasn’t at all captured.
Monday, March 13, 2017
CATHY WEARNE
Thursday, February 23, 2017
CINDY GRIMWOOD
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Tuesday, February 21, 2017
THE JAM TARTS
Thursday, February 2, 2017
MARIE HOY
Marie Hoy began as a musician in the Melbourne punk band, Thrush and the Cunts, in 1978. One of their tracks, "Diseases", appeared in soundtrack of the film, Dogs in Space (1986), which depicts the local little band scene from the late 1970s. She was also a member of Too Fat to Fit Through the Door, alongside Marcus Bergner, Michael Buckley, Tom Hoy, Dave Light and Stuart Grant. They issued a track, "Flintstones Meet the Flintsones", on a four-track split extended play, 'Little Band '(1979), with one track each by Morpion, the Take, and Ronnie and the Rhythm Boys. Denise Rosenberg contacted me with the following" Hi there, just a correction or 2. Marie played the drummer in Thrush etc for the movie in 1986 but the actual drummer was called Marion Brown (and the date was 1980 for Thrush etc but 1979 for the Little bands on the EP). Marie was in Too Fat etc, BUT only played the drummer in the Dogs in Space movie due to us not being able to find Marion. Little Bands didn't start until 1979. Please see my website primitivecalculators.com for all the correct info about LBs. Cheers, DeniseR''
As an actress Hoy appeared in the short film, Incubus (1983), working with Bergner and Buckley. In the same year she appeared in another short, Etrusco Me, directed by Bergner. It was screened at the Melbourne International Film Festival in July–August 2009, and was originally conceived as a prop for a performance by the singer and musician Marie Hoy (who appears in it). The film juxtaposes and intermixes sculptural and linguistic usurpers or shifters of meaning and sense, and as such, parallels and can be seen in relation to the off the limb theatrical atmospherics and ballistics later characteristically employed in the plays by the Austrian writer/artist Werner Schwab.
Hoy also appeared in Dogs in Space, as front woman of Marie Hoy and Friends, to perform the Boys Next Door's track, "Shivers".Tim Groves of Senses of Cinema observed "Nick Cave fans will appreciate a snippet of the Boys Next Door's version of their classic 'Shivers' (but pine for the rest of the clip, especially when Hoy performs the song at a gig)."
In 1984 Hoy joined post-punk band, Orchestra of Skin and Bone, on lead vocals and keyboards with Arnie Hanna on guitar, David Hoy on cello, Tom Hoy on saxophone, Lochie Kirkwood on vocals and saxophone, Ollie Olsen on lead vocals and guitar, Dugald McKenzie on vocals and autoharp, John Murphy on drums, James Rogers on trumpet and Peter Scully on guitar. They issued a self-titled album in 1985 before disbanding in the following year. Hoy on keyboards, vocals and samples with Olsen formed another post-punk band, NO, in 1987 including Kevin McMahon on bass guitar and Michael Sheridan on lead guitar. They released two albums, 'Glory for the Shit for Brains' (1987) and 'Once We Were Scum, Now We Are God' (1989), before disbanding in 1989.